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    "This study finds that dating behaviors drastically differ between the ages. For women seeking men, researchers found wearing red has a higher success rate in catching the eye of potential matches.


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    The trailer described its exciting premise, with "hot cars, blazing guns and beautiful women." It was another bosomania action tale of sex-crazed individuals in an Arizona-Mexico border town, featuring a corrupt sheriff (Charles Napier as Harry), drug-dealing and pot smuggling, shoot-outs, beatings and car-crashes. It was also noted, typical for a Meyer fantasy erotic film, for its love triangle between Harry, Cherry, and Raquel, including lesbianism.

    Harry's crime partner was the powerful but bed-ridden Mr. Statuesque and well-endowed Uschi Digard (aka Astrid Lillimoor) also starred as the German-speaking Native American ghost Soul, who posed nude against various desert locations, sometimes with an Apache feather headdress.

    I'd like to strap you on sometime."This milestone film from director William Friedkin (an adaptation of Mart Crowley's off-Broadway 1968 stage play, with the original stage actors) was notable as being the first Hollywood feature film to examine the homosexual culture and community in close-up fashion, and to portray gays as human beings who could have a sense of camaraderie.

    It was rated R by the usually ultra-conservative MPAA (when the previous year's Midnight Cowboy (1969) and The Killing of Sister George (1969) received X-ratings) for its subject matter and for its bold language.

    A number of low-budget, backwoods sexploitational films were produced in the early to mid-1970s, offering fairly explicit soft-core escapades with hillbilly characters, incest, lots of nudity (male and female genitals, although with no real closeups, penetration, or erections) and sex in the great outdoors, and an emphasis on stereotypical Southern accents and sensibilities.

    The most common of these types of trashy, low-budget, drive-in favorites with poor acting were produced by sleaze-merchant Harry Novak. It was co-written by film critic Roger Ebert as an unofficial sequel to Fox's Valley of the Dolls (1967) - based upon Jacqueline Susann's trashy novel.

    " Cowboy Tex (Robert La Tourneaux) arrived at the door - a male hustler hired by Emory as a birthday "gift" for Harold.They were sometimes labeled "corn-porn" - characterized by tongue-in-cheek humor, lots of casual nudity and lengthy sex scenes. Rated X originally (but re-rated as NC-17 in 1990), this T & A exploitation spoof film was made for a

    " Cowboy Tex (Robert La Tourneaux) arrived at the door - a male hustler hired by Emory as a birthday "gift" for Harold.

    They were sometimes labeled "corn-porn" - characterized by tongue-in-cheek humor, lots of casual nudity and lengthy sex scenes. Rated X originally (but re-rated as NC-17 in 1990), this T & A exploitation spoof film was made for a $1 million budget, but grossing $40 million overall.

    This was the first studio film of successful independent 'nudie-cutie' king Russ Meyer who was the sexist, exploitative director of Faster Pussycat, Kill! The cult melodrama, with a twisted plot filled with sex, drugs, and rock 'n' roll, was one of the most successful 20th Century Fox films ever made.

    However, symbolic of its times, it also included some gay stereotypes and images, and negativity.

    Set in the late 1960s, it told about a gay birthday party (held for Harold (Leonard Frey)) in an Upper East Side apartment among some miserable and bitchy individuals that turned confessional and vindictive as the night wore on.

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    " Cowboy Tex (Robert La Tourneaux) arrived at the door - a male hustler hired by Emory as a birthday "gift" for Harold.They were sometimes labeled "corn-porn" - characterized by tongue-in-cheek humor, lots of casual nudity and lengthy sex scenes. Rated X originally (but re-rated as NC-17 in 1990), this T & A exploitation spoof film was made for a $1 million budget, but grossing $40 million overall.This was the first studio film of successful independent 'nudie-cutie' king Russ Meyer who was the sexist, exploitative director of Faster Pussycat, Kill! The cult melodrama, with a twisted plot filled with sex, drugs, and rock 'n' roll, was one of the most successful 20th Century Fox films ever made.However, symbolic of its times, it also included some gay stereotypes and images, and negativity.Set in the late 1960s, it told about a gay birthday party (held for Harold (Leonard Frey)) in an Upper East Side apartment among some miserable and bitchy individuals that turned confessional and vindictive as the night wore on.

    million budget, but grossing million overall.This was the first studio film of successful independent 'nudie-cutie' king Russ Meyer who was the sexist, exploitative director of Faster Pussycat, Kill! The cult melodrama, with a twisted plot filled with sex, drugs, and rock 'n' roll, was one of the most successful 20th Century Fox films ever made.However, symbolic of its times, it also included some gay stereotypes and images, and negativity.Set in the late 1960s, it told about a gay birthday party (held for Harold (Leonard Frey)) in an Upper East Side apartment among some miserable and bitchy individuals that turned confessional and vindictive as the night wore on.

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